Caribbean Art Bibliography

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Basilio, Miriam, Deborah Cullen and Luis Pérez-Oramas. Latin American & Caribbean Art: MOMA at El Museo. New York: The Museum of Modern Art/El Museo del Barrio, 2004.

Benitez, Marimar. “Neurotic Imperatives: Contemporary Art from Puerto Rico.” Art Journal 57, no. 4 (Winter 1998): 75-85.

Benitez-Rojo, Antonio. The Repeating Island: The Caribbean and Postmodern Perspective. Translated by James Maraniss. Durham, North Carolina: Duke University Press, 1992.

Bettelheim, Judith and Janet Berlo. Transcultural Pilgrim: Three Decades of Work by Jose Bedia. Los Angeles: Fowler Museum at UCLA, 2011.

Block, Holly, ed. Art Cuba: The New Generation. Translated by Cola Franzen and Marguerite Feitlowitz. New York: Harry N. Abrams, 2001.

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Bondil, Nathalie. Cuba: Art and History from 1868 to Today. London: Prestel, 2009.

Boxer, David, et al. New World Imagery: Contemporary Jamaican Art. Exh. cat. London: Hayward Gallery South Bank Centre, 1995.

Boxer, David, and Veerle Poupeye. Modern Jamaican Art. Kingston, Jamaica: Ian Randle Publishers, 1998.

Cannitzer, Luis. New Art of Cuba. Rev ed. Austin: University of Texas Press, 2003.

Caribbean Visions: Contemporary Painting and Sculpture. Exh. cat. Badajoz, Spain: Museo Extremeno e Iboamericano de Arte Contemporaneo, 1998.

Cooper, Carolyn. Noises in the Blood: Orality, Gender, and the “Vulgar” Body of Jamaican Popular Culture. London: Macmillan Caribbean, 1993.

Cullen, Deborah and Elvis Fuentes. Caribbean: Art at the Crossroads of the World. New Haven: Yale University Press, 2012.

Enoc Perez. London: Assouline, 2013.

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Mosaka, Tumelo (ed.). Infinite Island: Contemporary Caribbean Art. New York: Brooklyn Museum, 2007.

Pancini, Marina and Bill Anthes. Marisol: Sculptures and Works on Paper. New Haven: Yale University Press, 2014.

Perez, Enoc. Tender. Hamburg: Snoeck, 2009.

Poupeye, Veerle. Caribbean Art. New York: Thames and Hudson, 1998.

Russell, Candice. Masterpieces of Haitian Art. Atglen, PA: Schiffer Publishing, 2013.

Sims, Lowery Stokes. Wifredo Lam and the International Avant-Garde, 1923-1982. Austin: University of Texas Press, 2002.

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Sullivan, Edward J. From San Juan to Paris and Back: Francisco Oller and Caribbean Art in the Era of Impressionism. New Haven: Yale University Press, 2014.

———-. Tomás Sánchez. New York: Skira, 2003.

Thompson, Krista A. An Eye for the Tropics. Durham, NC: Duke University Press, 2007.

———-. Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice. Durham, NC: Duke University Press, 2015.

 

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